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Open Challenges!

As a kid, I drew regularly with graphite pencils - wild animals, mostly, from photos in books and magazines. Over the years, the urge to draw remained, but the motivation to start has mostly eluded me. From time to time I'd get bad GAS, and buy some more pencils, and draw a few things - gum leaves were the usual theme the past few years - but after a short while I'd stop feeling motivated. A couple of months ago, in an effort to get enthusiastic enough about drawing to do it, I bought a set of black Sakura Pigma Micron fineliner pens. Since then, I've been drawing regularly from my own photos, which I've been getting printed so as to have a reference collection to choose from. I'll share my journey here, partly in hopes that it'll help keep me motivated! Here's my first shareworthy effort: the Cape Nelson Lighthouse, near Portland, Victoria, Australia. My reference photo (printed in my 2017 photo book) was taken in 2017 with my beloved Fujifilm X30 compact; soon after our visit we leaned that the semaphore flags were no longer being flown from the lighthouse. The drawing was done in one session with the 0.2mm Pigma pen, which I knew would become a favourite. I hadn't planned to add colour, but the sky beckoned, and before I knew it my Derwent Inktense coloured pencils (languishing, barely used) had joined the party. I prefer the uncoloured drawing, but as this was a test run of the pens, at least I got to see they really are permanent under water brush!
I am currently using a slightly out-of-date Panasonic Lumix GX8 camera - but like quite a few Lumixes I've used in the past, it features some nifty in-camera monochrome 'styles'. Which, to be honest, most of the time I never use - I've always tended to do monochrome conversions from RAW files, in Lightroom, with occasional dedicated monochrome plug-ins like Nik's Silver Efex, just for fun. And, unlike the newer Lumixes - including the GX9 and the G9 - as well as the all-in-one FZ1000ii - which all feature the even niftier (apparently) l. monochrome d. filter - with my older GX8, the most interesting (to me) available one... was the 'Dynamic Monochrome' setting. So I put the camera in Dynamic Monochrome mode (a dial selection) and went for a walk up the rural lane which runs from my house up into the foothills of some southern Oregon mountains. It was a cloudy day--- One of the first things you learn in a dedicated Picture Mode - is that once you've selected it, the camera automates the process - i.e. it chooses what it feels is an appropriate shutter speed and aperture as well. I'm not a fan of this kind of automation but I didn't have much choice. To my surprise, the tonal qualities turn out to be... interesting. And the GX8's EVF is a decent tool for 'seeing' what one is framing in monochrome - although for many reasons what you 'see' is always different than the look of the digital negative the camera produces. The lens I'm using for these is the (in my opinion) excellent (and underrated) 12-35mm Lumix G zoom, with a fixed f/2.8 aperture and rather good image quality for a zoom. It's actually rather fun, for a change, to have the camera create usable and interesting monochrome photos by itself, instead of having to labor away in after-the-fact post processing. I think my favorite images, though, are the wider landscapes - keeping the zoom lens at its wider end. This photo - of a local irrigation ditch - has tonal qualities which I find really pleasing. The last image, at the end of the walk, is of a four-legged neighbor, having a quiet afternoon. I had the GX8 set to RAW + jpeg - but the color RAW image felt busy and wrong... whereas the monochrome comes closer to what I had in the back of my mind, before pressing the shutter. Bottom line: I think I'm going to keep using this Picture Mode for awhile.... just to see what it can produce. If other Lumixians care to contribute their own Monochromes to this thread, dive in! I'd be especially interested to see samples of "l monochrome d" which so many users rave about --- does it live up to its billing?

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